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Painting: Orestes and Pylades Disputing at the Altar s

Painting ID: 07816

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LASTMAN, Pieter Pietersz. Orestes and Pylades Disputing at the Altar s

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LASTMAN, Pieter Pietersz.:
Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

Related Paintings to LASTMAN, Pieter Pietersz. :.
| Johan Carl Loth--Solomon | Edvard Munch65 | Jan Brueghel the Elder- (96) | Jacques-Louis David - Portrait of Jacobus Blauw | Ostade, Isaac van -- Boerenherberg met paard aan de trog, 1643 | | The Adoration of the Shepherds_a | Parable of the Lost Drachma | Polittico di San Pietro | The Beach at Pourville | The Raolway Bridge at Pontoise |


 


 

 

 

 

 

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LASTMAN, Pieter Pietersz.